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Horizons for 2 Flutes and Piano (2017)

Horizons, composed in the summer of 2017 for two flutes and a piano as a commission by the Piąta Esencja Foundation, was intended for the following duet: Łukasz Długosz and Agata Kielar-Długosz. In writing, I was inspired most of all by the unique combination of two singularly sounding instruments, closely connected in establishing a musical dialogue, while also creating – as a duet – a counterpoint to the piano part, in which resonance and tonality are of key importance. Sound lines, circles and spirals create a multi-part narrative with varied forms of expression.

This composition was co-founded by the Minister of Culture and National Heritage as part of the “Composing Commissions” Programme delivered by the Institute of Music and Dance in 2017. The premiere was staged on the 14th of October 2017 in Radziejowice by the Łukasz Długosz Trio.

Wojciech Widłak, translation: Marek Kazmierski

Download sheet music (PDF)

Information about the commission and first performance

Date of origin: 2017

Duration: ca. 16’30’’

First performance: Radziejowice

14th October, 2017



Agata Kielar-Długosz – Flute

Łukasz Długosz – Flute

Andrzej Jungiewicz Piano

Composer Wojciech Widłak

Born in 1971, he is a native Cracovian. In the field of composition he was taught by Marek Stachowski (Academy of Music in Kraków) and Hans Abrahamsen (Royal Danish Academy of Music in Copenhagen). He enhanced his skills as a composer under the direction of Franco Donatoni, Per Nørgård, Goce Kolarovski, Robert Saxton. The graduate of the organ class of Jan Jargon.

Laureate of several international and all-Polish composition competitions, including a prestigious recommendation of the 56th International Rostrum of Composers UNESCO in Paris, 2006 (for “Earthsumption” for orchestra and organ), recipient of artistic and research scholarships in Poland, Denmark, Great Britain and Italy. Author of about 50 works performed in 16 European countries, Turkey, USA, Japan, South Korea, Argentina, Mexico, Georgia, Azerbaijan, recorded on 12 CDs, published in Poland (PWM Edition), Germany, France and Italy, commissioned by institutions, artists and ensembles of international renown.

At the age of 41 Wojciech Widłak received the title of Professor of Art from the President of Poland. 2005 he took the position of the Head of Composition Chair, 2012-2020 Dean of the Faculty of Music Composition, Interpretation and Education at Academy of Music in Cracow. At his home Academy he has got a class of composition in which young composers from Poland and many other countries have studied. Until 2020 he has promoted 7 doctorates (PhDs) in music. He has held guest-lectures and composition masterclasses in several countries incl. USA, Israel, Turkey, Italy, Lithuania, Slovakia and Hungary. Member of jury panels in several composition competitions. 1998-2003 first director of Diocesan School of Church Music in Bielsko-Biała. Member of the Polish Composers’ Union.

In the 90s Widłak was using traditional compositional means, including a distinct harmony, expressive rhythm and obsessive repeatability. Since 2000 he has turned into more radical timbre, multilayered structure, game of musical idioms. Lately, he has been focusing on expression’s extremes, microtonality, an original conception of “swivel harmony“.


Photo: Bartek Barczyk, courtesy by PWM


Interview with composer

Contemporary performance techniques